8th ANNUAL Vinegrass Music FESTIVAL

Sicard Hollow
Sicard Hollow is a four-piece progressive bluegrass band who formed with a mutual passion for pushing the boundaries of genre. Heavily influenced by the Grateful Dead and New Grass Revival, these young pickers bring new energy to a timeless style with a combination of fearless improvisation and instrumental prowess. The band formed through mutual connections within the Nashville music scene who all wanted to play something different. They were all simultaneously discovering bluegrass while existing in their other scenes. Once they got together, the rest was history. Having toured extensively around the country since 2018, this group of players continues to grow their sound with every performance. With the release of their debut studio album, ‘Secret of the Breeze’ (2020), alive album called ‘Live at Brooklyn Bowl Nashville’ (2021), and their upcoming sophomore studio effort, there is no slowing down for Sicard Hollow.
Sicard Hollow has played festivals like Summer Camp Music Festival, The Peach Music Festival, Bluegrass in the Bottoms, Birds of a Feather, and Resonate where they’ve shared billing with acts like Oysterhead, Umphrey’s McGee, The String Cheese Incident, Moe., Pigeons Playing Ping Pong, Greensky Bluegrass, Lindsay Lou, Mimi Naja, Devil Makes Three, Keller Williams, Leftover Salmon, Mandolin Orange, Horseshoes & Handgrenades, and many more.

Rachel Baiman
With her 2017 debut Shame, Americana songwriter and multi-instrumentalist Rachel Baiman emerged as a fearless voice of the American female experience. “Shame” was featured on NPR’s “Songs We Love”, called a “Rootsy Wake-up Call” by Folk Alley, and described by Vice’s “Noisey” as “flipping off authority one song at a time.” On her new full-length album Cycles, Baiman has found a grittier musical medium for her signature unabashed and defiant songwriting, employing a majority-female team including co-producer Olivia Hally, known as the front woman of Indie-pop band Oh Pep! Cycles is a collection of songs encompassing the many ways that we destroy and rebuild as people, as families, and as a country. Songs about the cycle of life inspired by the birth of a nephew and the loss of a grandmother, songs about internal mental cycles of ambition and self-doubt, the cycle of progress and regression in our country’s political journey, and the cycles of growth and reinvention that relationships take on. At times heartbreaking, at times celebratory, the album is a reflection of a lot of life experienced in a relatively short amount of time, a desire to hold fast to the people we love in the wake of so much uncertainty, and an exploration of the immense and unique strength of women in the face of adversity.
Originally from Chicago, Baiman moved to Nashville at eighteen, and has spent the last decade working as a musician in a wide variety of roles, from session musician (Molly Tuttle, Kelsey Waldon, Caroline Spence), to live sidewoman (Kacey Musgraves, Amy Ray), to bandmate and producer. Fiddle music was her first love, and she is known in the bluegrass and old time world for her work with progressive acoustic duo 10 String Symphony with fiddle player Christian Sedelmyer. Her first solo album Shame, was produced by Andrew Marlin of Mandolin Orange, and established her role as part of a new generation of political songwriters.

Driftwood
Anyone familiar with the Americana music scene knows this Upstate, New York-based band has cut their teeth on a killer live show. With a never-ending tour schedule and a steady buzz, they have built a very solid underground fan base. "The game has been live shows and nose to the ground since the beginning," says guitarist/songwriter Dan Forsyth. As well as a devout following and a sizable discography, the band's hard work has also been a huge part of the inspiration for their music. The songs and arrangements have grown out of time spent on the road, growing closer, learning with and from each other and weathering the up's and down's of the journey together. "We have a truly special bond creatively and personally. It's the driving force behind the music," violinist/songwriter Claire Byrne adds. It is with this bond, patience, determination and undying mutual love and respect for music, the road, and their friendship, they have approached their latest offering, 'Tree of Shade.'

Golden Oak
GoldenOak’s music is rooted in the natural landscape- their songs move like a stream, meandering and weaving in an original yet grounding direction. Fronted by siblings Zak and Lena Kendall GoldenOak’s music calmly excites its listeners while nestled in rich folk-influenced sibling harmony. The Maine-based band has built a steady and growing fan base with this kind of energetic intimacy. This is perfectly represented in the group's latest album “Room to Grow”- A 10-song reflection of the emotional and physical impacts of the climate crisis. The band is rounded out by up-right bassist Mike Knowles and Drummer Jackson Cromwell.